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Where Time Slows captures a moment of still presence: figures drift across an open expanse of water, each held in their own posture, their own rhythm. The scene feels light yet focused — free of narrative, free of destination.
The bird’s-eye perspective reduces the scene to form, color, and movement. Bodies become signs, water becomes atmosphere. What remains is a sense of calm, suspension, and inward attentiveness.
The work is part of the Bird Eye View series, in which human presence is not narrated but felt — quiet, immediate, and timeless.